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Sub-genre: Historical
Jean taught English and Drama in various schools, from Hong Kong to Lancashire. She enjoyed writing plays, especially spoof murder mysteries: A is for Arsenic, B is for Bludgeon, C is for Cyanide were all set in ridiculously clichéd country houses, featuring sinister butlers and half-mad aristocrats poisoning or bashing their way to inheritances. A Lesson in Murder saw the slaughter of half a staff room by a lunatic former pupil bent on revenge –naturally, that went down very well with the pupils. The highest point of her career as a playwright came with a performance of a reduced Hamlet in the presence of The Queen – not an ideal choice, she thought afterwards – almost the entire court of Denmark slaughtered.
Then Jean retired and moved to a cottage in Cumbria. Her players were gone – and her audience. She missed the teaching and writing. What next? A novel, perhaps? It was 2012, the bicentenary of Charles Dickens. Time to re-read him and to discover his articles on the police in his magazine Household Words. An idea was born – suppose Dickens was involved in a murder case? As far as Jean knew, he wasn’t, but he had portrayed murder and he had created detectives: the private detective Nadgett in Martin Chuzzlewit and Inspector Bucket in Bleak House. Dickens explores the psychology of the murderer; he understands human nature; he constructs a narrative; he has imagination, and he knows the streets of London – surely these would make him a skilful investigator. He admired the police so she invented a partner for him, a professional policeman from Bow Street.
The four books in the series so far are published by Sapere Books and available on Amazon. Number five: At Midnight in Venice comes out in September, 2019.
Joining the CRA is FREE. There are no lengthy forms to fill out and we need nothing but your email. You will receive a regular newsletter but no spam.